In a forest he digitized, Simon runs.Within an autobiographical narrative where the images were entirely captured in the forest of Chaney in Switzerland, running embodies the intimate link between the protagonist and the forest, a forest that has witnessed a multitude of personal events and that is now being destroyed by a gravel pit. Immersed in a fragmented world, Simon questions the reasons that pushed him to 3D scan his forest. He questions his relationship with the living world, with the limits of matter, and with the limits of digital representations of nature.

In a forest he digitized, Simon runs.Within an autobiographical narrative where the images were entirely captured in the forest of Chaney in Switzerland, running embodies the intimate link between the protagonist and the forest, a forest that has witnessed a multitude of personal events and that is now being destroyed by a gravel pit. Immersed in a fragmented world, Simon questions the reasons that pushed him to 3D scan his forest. He questions his relationship with the living world, with the limits of matter, and with the limits of digital representations of nature.

没有哪个国家能像美国这样个超级消费大国也没有什么时候能比圣诞更刺激人消费欲望每年圣诞个各商家都推出各种促销传统意义上圣诞已经变了味道……琳琅满目商品大小林立商铺这些东西把世界装饰地五彩缤纷同时也让社会充满了铜臭之气本片就带您探讨了时下美国民众消费观剧中主人公大声疾呼人们摒弃物质欲望还圣诞以圣洁传统对于时下现实社会本片不能不说有十分积极意义不过如果上帝世面对这个物质世界恐怕也得嘀咕两句：该买点什么呢？

征战股市的工薪族面对巨大的阴谋发生的故事。

法国印象主义的健将之一马塞尔·莱尔比耶（Marcel L’Herbier）在1928年导演的默片史诗L'Argent，本片由Brigitte Helm、Marie Glory和Yvette Guilbert主演。 　　该片以小型的故事折射宽广的现实，一心想实现自己飞行壮举的Jacques和自己的妻子被一个银行家所利用．

The lives of three thieves attempting to rob a house are altered by what they see inside.

新生夫妇和俊书离开郁闷的首尔，挑战在农村的咖啡店创业。 这对夫妇试图改变的背后有无法言喻的苦恼，因为不符合内心的和谐，所以每个房间都是性骚扰。与丈夫为了关系界线的努力无关，妻子纳尼从很久以前开始就一直与性爱搭档达浩进行外遇，像往常一样，在野外享受性爱，卷入了意想不到的肇事逃逸事故，得到了巨额的和解金。 对于从结婚前开始就因为大手大脚而完全依靠丈夫经济能力的纳尼来说，这是荒唐的金额。纳尼苦恼了很久，甚至跪下去寻找受害者昌秀，呼吁妥善处理，但农夫昌秀反而执拗地抓住她的弱点，要求她与屈辱的肉体关系。 我在你沦为农村副昌秀的性装饰品的时候，一直走在危险的走钢丝的时候，最近对神经质的妻子纳尼不满的丈夫俊书，也因为年轻而挑衅的兼职生清雅的魅力，开始关注自己独特的性取向… 那么将这对夫妇紧紧束缚的农民昌秀和清儿的真实身份和像蜘蛛网一样交织在一起的他们的命运是？

片名刻意呼應膾炙人口的前作《美利堅帝國的衰亡》（11 屆），丹尼阿肯延續《老豆堅過美利堅》（28 屆）的潑辣筆觸，調侃資本主義的墮落本質。加國善心男自覺活在笨蛋崇拜白痴的世界，擁有高學歷卻只能當速遞員，開工遇上黑吃黑火併，撿到兩大袋鈔票，該如何是好？金錢萬惡也萬能，先找個有案底的洗錢高手，再搭上高級應召女郎，加上逃稅專家，不義之財能否漂白？黑白兩道窮追不捨，雪球也越滾越大，財真的可以通神，逢凶化吉？

片名刻意呼應膾炙人口的前作《美利堅帝國的衰亡》（11 屆），丹尼阿肯延續《老豆堅過美利堅》（28 屆）的潑辣筆觸，調侃資本主義的墮落本質。加國善心男自覺活在笨蛋崇拜白痴的世界，擁有高學歷卻只能當速遞員，開工遇上黑吃黑火併，撿到兩大袋鈔票，該如何是好？金錢萬惡也萬能，先找個有案底的洗錢高手，再搭上高級應召女郎，加上逃稅專家，不義之財能否漂白？黑白兩道窮追不捨，雪球也越滾越大，財真的可以通神，逢凶化吉？